Modern Art Insights: Clay Sculpture and the Creative Vision of Edgar Spohn

Description

San Francisco artist Clay Spohn (1898–1977), one of the best artists of the modern era, originated art movements of the twentieth century and painted with great beauty. Using Spohn’s Notebooks, David Beasley has traced his thought and career. This book is amply illustrated with Spohn’s drawings and paintings placed to elucidate the text. Many paintings are in color as Spohn used color superbly. “I consider David Beasley’s monograph on the work of Clay Spohn one of the most moving documents I have read on an artist, revealing a compassion and sense of justice rarely encountered in the field of aesthetics,” – John Hultberg, artist. ” Although little has been written about him, Spohn was among the most influential artists of his generation,” – Susan Landauer, Art Historian. Spohn’s, The Ballet of the Elements (front cover). The San Francisco art critic, Tom Albright described this painting exhibited with the best works of West Coast painters including Mark Rothko and Clyfford Still in 1973: “[the painting] with its stripe-like allusions to landscape under a ‘sky’ of fluid, shorthand squiggles, is altogether unique in this context (i.e. the projection still of the fervor, the desperation, the iconoclasm and ethical commitment etc. that went into them) and perhaps for that reason stands out as the exhibition’s most monumental single masterpiece.”

Paperback

160 pages

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